Polly Noonan was most recently seen at the Goodman Theatre in Passion Play: a cycle in three parts. Polly has worked on Sarah Ruhl’s plays for ten years, including the premieres of Dead Man’s Cell Phone (Woolly Mammoth Theatre, Helen Hayes nomination), Passion Play: a cycle in three parts (Arena Stage, Helen Hayes nomination), Eurydice (Madison Rep), Melancholy Play and Orlando (Piven Theatre Workshop). Other credits include: Eurydice, Brilliant Traces and American Voices (Piven Theatre Workshop); Orlando (Actors’ Gang); Melancholy Play (the Echo), Methusalem and Accidental Death of An Anarchist (New Criminals); and new works at Sundance, the Geva Theatre Center, New Dramatists, Soho Rep, REDCAT and Playwrights Horizons. Polly was a member of the Piven Theatre Workshop’s Young People’s Company and a founding member of the New Criminals. She attended Vassar College and SAIC. Polly first worked at Steppenwolf as part of the New Plays Lab, where she directed the workshop and the premiere of Goodbye Stranger by Carrie Luft. Film credits include: Novocaine, High Fidelity, Arizona Dream and Ferris Bueller’s Day Off. If you like music, check her out on the cover of the Lemonhead’s album It’s a Shame About Ray or listen to her random phone message (track 11) on Lovey. She lives in New York City.